Viola da Gamba Society - New England
"Surprising Contemporaries" Spring 2008 Workshop


Please Note: Please register by April 5, 2008.
Late registrations will be accepted only if space is available!


Click on the link below for the pdf version of the Surprising Contemporaries Workshop - to be held May 3rd, 2008!

Suprising Contemporaries Spring 2008 Workshop
If you need to obtain a PDF reader, click here:

Click Here for a printable version of the Workshop Registration Form

Composer


Purcell, Schenk and Marais
(and some predecessors)

Brandeis University
Slosberg Music Building
 
May 3, 2008

Music Director: Lucy Bardo
Coordinator: Hannah Davidson

Registration Deadline: April 5



Surprising Contemporaries

What do the composers Johannes Schenck, Marin Marais and Henry Purcell have in common?  One obvious answer is that they all wrote music for the viol. Another is that they were born within four years of each other (Schenck,1656;  Marais, 1656;  Purcell, 1659). During the upcoming workshop other similarities and differences will become clear.

Aside from their connections to the viol, these three composers represent three different musical styles, countries and cultures. Purcell's fourteen fantasias, for 3-7 parts–while representing a pinnacle in the genre–were out-of-fashion when they were written.  After composing these fantasias, he used the viol mainly as a continuo instrument. Marais's books for solo, two and three viols always required a continuo player and certainly represented the vanguard of French musical culture.  Schenck, a virtuoso viol player from a Dutch-German background, had the freedom to make use of whatever musical styles came his way, those being mainly generic, more recent French as well as Italian from an earlier era.

Class offerings are designed for all levels of viol players and will include non-simultaneous masterclasses focusing on both Schenck and Marais as well as classes of Schenck and Marais for those who want to "get their feet wet.”  These classes will focus on the duos and trios of both composers. Solos can also be presented in the masterclasses. A harpsichord and harpsichordist will be available for the Marais masterclass.

 There will be Purcell consorts of all levels and suites and sonatas for 4 to 8 players by Marc Antoine Charpentier, Giovanni Battista Vitali, Giovanni Legrenzi and David Funck. Also offered will be dance suites by Johann Hermann Schein and 17th century French dances compiled in Sweden.

The workshop will open with a short concert, which will demonstrate comparative features of the music we will encounter during the day. Pre-formed consorts are always welcome, as are beginners.  Beginners will take part in a morning and an early afternoon class with opportunities to audit the final class. Music will be mailed in advance so we urge people to return registrations forms as soon as possible.  Faculty will be Lucy Bardo, Jane Hershey, Carol Lewis, Alice Robbins and Rachel Cama-Lekx (beginners).


Schedule
9:00 Registration Details
9:00-10:15 Demo-Concert A=415
10:30-11:45 First Class Please bring a stand.
12:00-1:00 Lunch & Meeting
1:15-2:30 Second Class For scholarship and senior rates, call Sybil
Kevy (508-358-2097).
2:45-4:00 Third Class

For more information, contact Hannah Davidson (hannahdavidson@hotmail.com or 617-489-0003).

Directions to Brandeis University (415 South Street, Waltham MA 02454)

Click  Here for Map;

From route I95/Rte. 128
Exit at Rte. 20 Eastbound. Follow 20 toward Waltham for about ½ mile to the third traffic light, South St., on right. Brandeis is about ½ mile down South St.

From the Mass. Pike
Exit 15, I95/Rte 128 north.  Follow I95/Rte 128 north to Rte. 20 Eastbound.  Follow directions above.

Slosberg Music Building is the first building on the left upon entering the campus.  Some parking is available at Slosberg in the M (Music) lot.  If this is full, proceed up the hill past the M lot to the T (Theatre) lot.




Registration

Name: _______________________________________________________

Please indicate your interest in the following class topics by a √

_____ Schenck masterclass (Please list your music selection and fellow musicians)
_____ Marais masterclass (Please list your music selection and fellow musicians)
_____ Schenck Sampler (all levels)
_____ Marais Sampler (all levels)
_____ Purcell Consorts
_____ Charpentier Suite a8
_____ Funck Suites
_____ Vitali Sonatas
_____ Legrenzi Sonata
_____ French Court Dances
_____ Schein Suites
_____ Pre-formed Consort (Please list your consort’s name and musicians)
_____ Beginners’ classes


If there are not enough participants or people who play the required instruments for a particular composer, we will suggest an alternative class with your permission.

Please circle your level for the instrument(s) you wish to play:

Treble B LI MI HI A
Tenor B LI MI HI A
Bass B LI MI HI A


Please Fill In Your Information:

Name: _________________________________________________
Address: _________________________________________________
_________________________________________________
_________________________________________________
Phones: _________________________________________________
Email: _________________________________________________

__This is a new or changed address.


__I will contribute__salad for 6; __cookies or fruit for 6
__I will help with morning set-up
__I will help set up lunch
__I will help clean up at the end of the day

__I would like bed/breakfast ($10 contribution to VdGS-NE)
__I can offer bed/breakfast for __ people


Registration only ($50) _____
Registration & dues ($65) _____
Beginners’ Class ($20) _____ (Beginner's pay only this fee)
Dues only (2007-2008) ($15) _____
Bed/Breakfast  ($10) _____
Contribution _____
TOTAL ENCLOSED: _____

__I want to support the VdGS-NE with a contribution:

__$25 Friend __$50 Sponsor
__$100 Patron __$250 Donor

Please register by April 5, 2008.
Late registrations will be accepted only if space is available!

Please make your check payable to VdGS-NE and send with this form to:
Sybil Kevy, 154 Plain Rd., Wayland, MA 01778




 
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